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Unless you are blending for depth of field, use the same focus for each photo. Use a similar white balance setting between photos, set either in your camera or in your raw converter. You should use a solid tripod to minimize movement. If you use a different version the specific steps may be different, but the general workflow should be similar.īefore beginning, it is important to emphasize that when blending using a narrow transition the goal is to make the areas to be blended as similar as possible in both photos prior to blending. These instructions and accompanying illustrations use my current version of Photoshop, CS3 for Windows. This is an intermediate level article, and assumes a working knowledge of Levels, Curves, Masks, and Tools in Adobe Photoshop. The first example will create an image with increased depth of field, and the second an image with increased dynamic range. While this method can be used to blend for all the reasons noted above, in this article I will describe my method for blending photographs with a narrow transition using two examples. In many images, if the photos are properly prepared beforehand, this method results in a more natural appearing blend. Ghosting occurs when an object in the transition area moves between photos, resulting in a “double-vision” appearance with two faded versions of the object showing in the final image.Īnother method of blending is to create a narrow transition between photos. Loss of detail occurs when the photos are even slightly different in luminosity detail if what is sharp in the photos is not exactly the same, the blended area will be less sharp than either photo. Unnatural transitions occur when the difference in dynamic range between the two photos is too strong, resulting in an appearance that appears too dark, too light, or both in the area of the blend. Unfortunately, on some images this method results in unnatural transitions, loss of detail, or ghosting. I use broad transition blends, and find they can work well in smooth areas such as sky, clouds, and water.
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This is essential when the photos are different in the area of the blend, such as when blending two images processed differently, one for shadows and one for highlights, from the same raw file. An advantage of this method is that the broad transition allows for a gradual change between photos. An example of this method would be editing a layer mask in Photoshop, using the Gradient Tool or by painting with a soft-edged brush. One commonly recommended method of blending by hand involves a broad transition between photos. Although blending by hand can be more labor and skill intensive, many images look more natural with this method. Unfortunately though, there are many images where the results are less than optimal. Automated blending programs can be simple to use, time efficient, and produce optimal results with some images. Whether you blend using an automated program or by hand, no one method will work best in all situations. By blending photographs, you can increase the field of view and/or resolution (stitching), remove unwanted elements, reduce noise, increase the depth of field, and increase dynamic range. One powerful advantage of the modern digital darkroom is the ability to expand the camera’s capability by blending multiple photographs into a single image. Text and photography copyright © John Williams.